Aging is a Word that Means 'Slowly Becoming a Machine'
The bone parts of me talk to the metal parts,
groaning, which is the language of bone.
They tell the metal parts hurting isn’t that hard,
which is a lie. The body tells the truth
by hurting. I lie to myself. If I can’t get out of bed,
I don’t say, I need a doctor. I say, I’m broken.
Or I say, Maybe I need an update—I’m slow. A liar.
Or I say, Age is just a number. There are wires
curling like calligraphy on pages unraveling under my ribs
in a language no one can read, and that’s why
I can’t remember how grass feels. That’s why
when I look at the clouds, I don’t imagine
more equitable shapes. Instead I
cast a storm of equations into them and say,
We can’t go out today, it might rain.
Then it does rain, and I’m afraid my silver hair
will rust. One of my eyes is not one of my eyes.
One of my ears needs charging. My heart
is out of rhythm again. My heart
is an algorithm. I never wasn’t full of tubes,
full of changing data day to day while I tried
not to break. The older I get the more I see
how poorly made I am. I lie awake
trying to ignore the way my body’s circuitry
changes shape, trying to prove to those
who love me I’m worthy of love by saying
the kinds of things only a machine would say
so they won’t see, inside me, the machine
I’m more and more ashamed to be
and wish I could turn off.
Marcus Whalbring is a poet and author who’s been nominated for a Pushcart and Best of the Net. His poetry collections include A Concert of Rivers (Milk & Cake Press) and How to Draw Fire (Finishing Line Press). A graduate of the MFA program at Miami University, his poems and stories have appeared in Strange Horizons, Space & Time, Haven Spec, Illumen, The Dread Machine, and Tales from the Moonlit Path, among others. He’s a high school teacher, a father, and a husband. Learn more about his work at marcuswhalbring.com and instagram.com/marcuswhalbring.